ASTA 263 - ARTE ANTICA E DEL XIX SECOLO

Lot N: 0426

GIANNI VAGNETTI (1897 - 1956)

Little sisters.

80 x 118 cm

Signature lower right.

Starting Price

Euro 1.000,00

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Lot N: 0427

LIEGI ULVI (1859 - 1939)

Winter country.

42 x 30 cm

Signature and year lower left and at the back.

Sold at

Euro 1.600,00

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Lot N: 0428

LIEGI ULVI (1859 - 1939)

Landscape with tree.

24 x 11.5 cm

Signature lower left.

Starting Price

Euro 1.000,00

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Lot N: 0429

PIERO MARUSSIG (1879 - 1937)

Boulevard with figures.

45 x 55 cm

Piero Marussig Archives - Studio d'Arte Nicoletta Colombro, Milan authenticity certificate on photo.

Starting Price

Euro 1.500,00

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Lot N: 0430

GIUSEPPE MOLTENI (1800 - 1867)

Portrait of lady.

20 x 25 cm

Signature lower left.

Sold at

Euro 1.500,00

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Lot N: 0431

TEOFILO PATINI (1840 - 1906)

Attributed to. The lovers.

18 x 23 cm

Sold at

Euro 3.000,00

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Lot N: 0432

EDOARDO TOGNI (1884 - 1962)

Mountain landscape.

100 x 70 cm

Signature lower right.

Starting Price

Euro 1.500,00

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Lot N: 0433

LEONARDO RODA (1868 - 1933)

Mountain landscape with herds.

104 x 80 cm

Signature lower right.

Starting Price

Euro 3.000,00

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Lot N: 0434

CARLO BRANCACCIO (1861 - 1920)

Landscape with church.

92 x 67 cm

Signature and dated lower right.

Starting Price

Euro 2.000,00

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Lot N: 0435

GIACOMO GROSSO (1860 - 1938)

Attributed to. The Tilde.

75 x 144 cm

The painting depictin probably the Tilde, favorite model of the artist. In this regard, we compare the caricature of Attilio Mussino published in Giuseppe Luigi Marini, Giacomo Grosso the painter in Turin between the 19th and 20th centuries, page 143, Turin, 1990.

Sold at

Euro 1.600,00

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Lot N: 0436

ALESSIO ISSUPOFF (1889 - 1957)

Horses and peasants.

100 x 70 cm

Signature lower.

Starting Price

Euro 5.000,00

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Lot N: 0437

ALESSIO ISSUPOFF (1889 - 1957)

Portrait of two smokers.

49 x 63 cm

Signature lower left.

Starting Price

Euro 3.000,00

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Lot N: 0438

DOMENICO DE BERNARDI (1892 - 1963)

Marina with boats.

120 x 100 cm

Signature lower left. At the back signature and year.

Starting Price

Euro 3.000,00

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Lot N: 0439

HERMANN CORRODI (1844 - 1905)

Attributed to. Venice Lagoon at the sunset with San Giorgio Island.

54 x 73.5 cm

Bringing date August 23th 1882 lower left.

Sold at

Euro 4.400,00

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Lot N: 0440

BORIS GEORGIEV (1888 - 1962)

Haydarabad Princess Nilufar.

50 x 65.5 cm

Provenance: Giacometti Georgiev collection. With autenthication of Maria Giacometti Georgiev. Signature upper left. References: Plamena Dimitrova Racheva, Boris Georgiev of Varna, Ed. Kibea, p. 89 and 137. The first portrait of Nilufar was created in Delhi in 1936. She was a Turkish princess, the daughter of a Georgian aristocrat, and the cousin of Princess Duru Shevar. She was married to on of the Haydarabad maharaja's sons. The portrait depicts her from the waist up in the foreground, with the line of the horizon low in the background. To the left behind her is the palace of Haydarabad. The gentle figure dominates in space, but looks lonely in a deserted world. The dynamic line of he silhouette causes the image of the princess to stand out. She is dressed in the traditional white silk sari with golden bands. She hypnotises the viewer with her gaze; her beautiful face is kind and noble. The perfectly executed lines are carved in the primer and coloured, and they follow graphically the graceful gestures and the rich folds of the silk, entwined with the ornaments of the sari's golden band. The young woman wears no jewellery but she creates such a feeling of harmony that her beauty becomes almost unreal. The artist considered Nilufar one of the most beautiful women he ever painted. On April 2, 1936 he wrote from Delhi to his friend Sophia Polkovnikova: "... I began the portrait of the Haydarabad princess, and extraordinary beauty. The portrait is progressing well and she is delighted by it. Yesterday, while I was painting her, I told her the romantic story of our youth and of your destiny. She was moved to tears. Although incredibly beautiful (you cannot really judge from the small photos), she is an exceptionally sensitive and noble person".

Sold at

Euro 12.500,00

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Lot N: 0441

BORIS GEORGIEV (1888 - 1962)

Happiness hut.

83.5 x 52 cm

Publication: Plamena Dimitrova Racheva, Boris Georgiev of Varna, Ed. Kibea, p. 29 e 112. Collection Virginia Giacometti, Italy. The landscape depicts the small hut in the Venetian Alps where the artist lived for several years with his younger sister Katya. In the introduction to his 1929 Berlin exhibition, Boris Georgiev told the following story: "Then I built myself a hut in the Venetian Alps so that I could stay forever with the shepherds, the peasants and the beasts, to make my living with my two hands, from the earth, through hard work. I was hoping that I would thus become free from the awful slavery to society, for society regards the artist as a beggar, so that when the beggar starves to death, the society may profit from the works of his suffering. It almost seemed that I had reached the peak of my happiness a mortal man could have in this world, I seemed to have attained, particularly when my sister, a creature of heavenly kindness and spirituality, joined me to share my new life. Although younger than me, it was she who showed me the possibility for a purer life, for spiritual and moral beauty, and the way that led to them". Information about the Happiness hut is found in a 1962 letter from Nikola Soychev of Pazardjik to writer Mihail Kremen. The letter reads: "In one of his drawings Boris Georgiev depicted his sister Katya shoveling snow in the yard of their snow-covered hut. The hut in question was built by Georgiev himself in Monte Lefre, near Trentino in the Alps, where he has been living with the shepherd for about two years. Looking at the drawing, one would say that Georgiev is a sympathetic recorder of his contemporary life. He documents each day with a perfect picture. Katya takes a keen interest in poetry and music. Boris Georgiev himself occasionally plays the mouthorgan and the piano. He is impressed by the music of Chopin, Beethoven, Mozart and Tchaikovscky. He also loves flowers". The reviews of the artist's exhibition in Brazil mention that it was in mountain home that the artist adopted "the secret teaching of spiritual seclusion amidst the mysteries of nature". It was here that Georgiev created such insightful paintings as "The Eternal Road", "Ave Natura", "Winter", "Contemplation", "Ecce home", and the "Weltschmerz" triptych that he described as his autobiography, as the diary of his soul.

Sold at

Euro 13.000,00

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Lot N: 0442

ANZOLO FUGA (n. 1915)

Single piece. Flowers and birds.

60 x 90 cm

Glass sculpture on wrought iron support. Signature and date, 1991. Coming from the heirs of Anzolo Fuga. The artist takes up a subject dear to him, a measure often used for his stained glass windows. The theme is not a novelty, there are thematic variations in which in other cases is also inserted a vase. The window shown here is significant of a work that the artist produced without any mediation whatsoever for a relative. The leaves of a succulent plant, thinning thinning pointing upwards. At the ends of the tips, oval flowers are formed by a white opaline glass streaked by large concentric murrines fused together. The colors used are red, green and blue. Three birds and a butterfly are inserted in the composition. The artist tries to bring out as much as possible the idea of flowers as if they were fully blown vases. All plates are "embossed". The stained glass window has a wrought iron display case, which contains it. The display case has been designed specifically to hold the work. The glass is made of glazed furnace obtained in Murano.

Starting Price

Euro 3.000,00

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Lot N: 0443

VITTORIO ZECCHIN (1878 - 1947)

Detail of the facade of Ca' D'oro after the Franchetti restoration.

16.5 x 22.5 cm

Provenance: The artist's gift to the friend Amedeo Fuga. For inheritance to the actual owner. Signature lower right. In coeval frame. Even the small picture is probably born from a request of Emilio Fuga to friend Vittorio: to walk through the history invite us very specific elements, starting from the portrait subject. The picture represents a detail of the facade of Ca’d'Oro, the famous Gothic palace in Venice, which faces the Grand Canal not far from Rialto; the golden light that ticks spreads on it causes us to refer sensibly to the stories of 1400, which describe the facade covered in parts of gold leaf; and show you the shapes finally brought back to the original’by the passionate will of Baron Giorgio Franchetti. After almost complete restoration (1916) Giorgio donated the Palazzo to the’Italia, so that it would be an art space for the citizens. Right in the point depicted by ticks (as in others) there was therefore previously, and well known to the Venetians in life towards the end of the 19th century, a superfetation that altered the facade. Probably the painting, even in its small size, celebrates with gratitude the new birth of Ca’ d'Oro in beauty and greater simplicity. Emilio Fuga was familiar with the Franchetti family. This is done starting from his job, carried out from 1897 to 1955 as head of the Sales Office in the Murano Crystal, a firm conceived, promoted and desired by Baron Raimondo Franchetti, inspired entrepreneur, and father of Giorgio. Emilio’s relationship with the stamps was facilitated by the values shared between them: his love for the arts and their preservation, and his active orientation towards the development of the territory in which they operated. It is difficult to think that the presence of this picture in Emilio’s house is a coincidence. And there is another very suggestive aspect: the picture was never hung on the wall. None of those who attended Fuga house remember it. During a reorganization not many years ago emerged from a small stack, in Emilio’s study, next to many documents related to the crystal shop. Why is this work so bright and pleasant, with precise brushes that make it both true and ornamental, had not been highlighted, enjoyable by all the guests of the house?The other painting had been well exposed, as had the dry chalks of the caricatures of the group of friends… The detail of the renovated facade of Ca’ d'oro has remained instead in an intimate space, in Emilio’s studio, and may also have never been hung on the wall; perhaps for Emilio it has remained as a dear memory of Giorgio Franchetti; and perhaps had been commissioned– in a way unfortunately untimely – just to give it to him.

Sold at

Euro 2.400,00

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Lot N: 0444

VITTORIO ZECCHIN (1878 - 1947)

Autumn wood.

72 x 90 cm

Provenance the artist's gift to the friend Amedeo Fuga. For inheritance to the actual owner. In coeval frame. The painting was executed at the request of the friend Amede Fuga (1880-1959). The bond of friendship between Vittorio and Emilio unfolds over very long times. The two were in fact among the components of greater reference than in the facts was a cheerful cenacle sui generis” of young people who produced applied and applied figurative art, theatre and music in that proud and flourishing Autonomous City that was the Murano of the very first‘900. Testimony of the existence of this group is also in the catalogue Vittorio Zecchin 1878-1847, painting, glass, decorative arts, (marsilio, Venice 2002) that publishes and identifies a series of caricatures made by Vittorio to his friends. In Emilio Fuga’s house has long remained an additional set of caricatures of the same characters, this time as dry chalks (in color). From the family testimonies it appears that Emilio asked Vittorio to paint four canvases representing the seasons. Vittorio then performed the first, “Autumn” which is presented here. A son of Emilio reported that upon receiving the requested work, after a little 'silence, Emilio presented to Vittorio a’image, maybe a photo, explaining that this represented better - according to him - the Autumn…. Probably the artist did not take well the provocation of the friend and the story continues with the scene in which Vittorio He stands still, then turns around, and leaves without comment. The other canvases requested were never painted.

Sold at

Euro 20.000,00

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Lot N: 0445

TAPPETO PERSIANO

Persian carpet.

143 x 216 cm

Wool on weft and warp cotton.

Sold at

Euro 50,00

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Lot N: 0446

TAPPETO PERSIANO

Azrbaijan capert, Gobu's area.

204 x 260 cm

Wool on weft and warp cotton.

Sold at

Euro 90,00

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Lot N: 0447

TAPPETO PERSIANO

Kelley carpet, South Persia.

160 x 360 cm

Wool on weft and warp cotton.

Sold at

Euro 100,00

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Lot N: 0448

DOSHEMEALTI

Carpet, Ciubak, 1920.

83 x 120 cm

Doshemealti is a small village at the base of Passo Ciuba. The ancient Doshemealti carpets often have a rhombus pattern arranged on vertical columns or large geometric flowers with drawings of filling always floral, which also appear in the borders. Colors are strong and bright: red, green and blue dominate. Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdam Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 200,00

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Lot N: 0449

SHIRWAN

Caucasus, early 20th century.

92 x 130 cm

Sold at

Euro 120,00

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Lot N: 0450

BUKARA

Carpet.

100 x 145 cm

Sold at

Euro 100,00

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Lot N: 0453

BUKARA

Carpet.

187 x 111 cm

Sold at

Euro 100,00

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Lot N: 0454

BUKARA

Carpet.

81 x 287 cm

Sold at

Euro 240,00

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Lot N: 0455

MALAYER

Malayer Carpet, center Persia, 1930-1940.

132 x 194 cm

Herati drawings. Wool on cotton. Excellent conditions.

Sold at

Euro 120,00

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Lot N: 0456

SHIRWAN

Shirwan carpet, Caucasus, early '900.

110 x 182 cm

Shirwan medallions. Wool on wool. Abrash upper. Excellent conditions.

Sold at

Euro 140,00

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Lot N: 0457

TASHPINAR

Carpet, center Anatolia, '30s-'40s.

128 x 179 cm

The village of Tashpinar is located on the secondaryroad to Nigde, there are produced mainly carpets of format Ceyrek and Sajjade, processed in the houses. The oldest specimens are distinguished from the most recent ones by the high quality of the wool and the fine knotting, done in a very accurate way. Typical are the carpets with elongated, almost oval medallions, whose interior designs stand out clearly. Among the dominant colors are the shades of red and blue. Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, tappeti orienali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 300,00

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Lot N: 0458

KULA

Carpet, Turkey area western center, end '800.

122 x 206 cm

Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdam, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 420,00

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Lot N: 0459

CIANAKKALE

Carpet, Pergamon's area.

131 x 165 cm

The picture has a multi-level medallion, whose main motif forms a rhombus in a tiered polygon. The internal shapes should be derived from a floral design, while the profiles of the eight pointed stars and the profiles of the three polygon are identifiable as residue of the holbein carpet band contour. In the free surfaces of the field there are eight pointed stars. Epoch end 1800. Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 400,00

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Lot N: 0460

KASHAN

Carper, Dabier, Persia, end '800.

135 x 209 cm

A prayer carpet, Dabir Sanaie is a workshop that has met with high approval since the 1930s, and not only in Persia, for its exceptional shaved products. This Dabir prayer represents the Persian artistic sensibility of the first half of our century. With the exception of the niche of the rare and pretentious arabesques, the composition of the carpet is distinctly floral and uses the "flower of the prophet" as a recurring motif. The central element consists of a vase with a bouquet of a colorful flowers. Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 400,00

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Lot N: 0461

KARABAGH

Karabagh carpet, Caucasus, 1911.

138 x 204 cm

Medallion carpet of animals. The carpets with medallions in the shape of Gul araldici (in this case the stylization of the dragon) constitute as independent group in the territory of Karabagh. Wool on wool. Excellent conditions.

Starting Price

Euro 300,00

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Lot N: 0462

KAZAK SEWAND

Kazak Sewand carpet, end '800.

147 x 214 cm

Shield Kazak, Kazak Sewan sub-group. Wool on wool. Excellent conditions.

Sold at

Euro 400,00

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Lot N: 0463

GHENDJE

Carpet, Botaly, end 1850.

116 x 251 cm

Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdam, tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 1.300,00

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Lot N: 0464

KARABAGH

Carpet, Caucasus, 1916.

113 x 233 cm

Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 300,00

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Lot N: 0465

SENNE'

Carpet, Persia end '800.

128 x 183 cm

Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 550,00

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Lot N: 0466

KAZAK

Bordjalu carpet, end 1800.

151 x 261 cm

Fat wools, full of wool. Bibliography of reference: K. Zipper, C. Fritzche, U. Jourdan, Tappeti orientali turco-turcomanni, Ed. Sonzogno.

Sold at

Euro 2.700,00

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Lot N: 0467

MANIFATTURA ITALIANA DEL XVIII SECOLO

A pair of carved and golden wood putti.

24 x 55 cm

Defects.

Starting Price

Euro 800,00

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Lot N: 0468

GIORGIO OPRANDI (1883 - 1962)

Curcuggi, the guash of a well.

32.5 x 17.5 cm

Signature lower right, dated 1926 lower left. At the back title.

Sold at

Euro 600,00

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Lot N: 0469

CARTIER

Le Must De Cartier Tank watch.

Rectangular case in gold plated silver 925, with four screws on the sides, crown with sapphire cabochon, sapphire crystal. Ivory dial with Roman numerals and radial stick markers, sword hands. Quartz movement. Leather strap with folding clasp in vermeil Cartier.

Sold at

Euro 650,00

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First session 1-113 19/06/19

11:00

Second session 114-232 19/06/19

16:00

Third session 233-340 20/06/19

11:00

Fourth session 341-469 20/06/19

16:00

Exposition

14 - JUNE 18TH
10-1PM; 3.30PM-6.30PM (SATURDAY AND SUNDAY INCLUDED).

Artist

ADOLFO TOMMASI (1851 - 1933) ALESSANDRO MAGNASCO (1667 - 1749) ALESSANDRO MARCHESINI (1664 - 1738) ALESSIO ISSUPOFF (1889 - 1957) ALESSIO ISUPOFF (1889 - 1957) ALEXANDER COOSEMANS (1627 - 1689) AMANZIA GUERILLOT INGANNI (1828 - 1905) ANDREA DEL SARTO (1486 - 1530) ANDREA SCACCIATI (1644 - 1710) ANGELO INGANNI (1807 - 1880) ANGELO LANDI (1879 - 1944) ANGELO MARIA ROSSI ATTIVO NEL XVIII SECOLO ANGELO ZANELLI (1879 - 1942) ANONIMO DEL XIX SECOLO ANTONIO BECCADELLI (1718 - 1803) ANTONIO CALI (1788 - 1866) ANTONIO SMINCK PITLOO (1791 - 1837) ANZOLO FUGA (n. 1915) ARGENTIERE DEL XIX SECOLO ARGENTIERE DEL XX SECOLO ARGENTIERE INGLESE DEL XIX SECOLO ARGENTIERE ITALIANO DEL XX SECOLO ARNOLDO CORRODI (1846 - 1874) ARTISTA AUSTRIACO DEL XVIII SECOLO ARTISTA BOLOGNESE DEL XVII SEC. ARTISTA CARRACCESCO DEL XVII SECOLO ARTISTA CENTROITALIANO DEL XVI SECOLO ARTISTA CENTROITALIANO DEL XVII SECOLO ARTISTA DEL XIX SECOLO ARTISTA DEL XVI SECOLO ARTISTA DEL XVII SECOLO ARTISTA DEL XVIII SECOLO ARTISTA EMILIANO DEL XVII SECOLO ARTISTA EMILIANO DEL XVIII SECOLO ARTISTA FIAMMINGO DEL XIX SECOLO ARTISTA FIAMMINGO DEL XVIII SECOLO ARTISTA FRANCESE DEL XVII SECOLO ARTISTA FRANCESE DEL XVIII SECOLO ARTISTA GENOVESE DEL XVII SECOLO ARTISTA ITALIANO DEL XVIII SECOLO ARTISTA ITALIANO DELLA FINE DEL XVI SECOLO ARTISTA LOMBARDO ATTIVO FRA XVI E XVII SECOLO ARTISTA LOMBARDO DEL XVII SECOLO ARTISTA LOMBARDO DEL XVIII SECOLO ARTISTA MANTOVANO DEL XVI SECOLO ARTISTA NAPOLETANO DEL XIX SECOLO ARTISTA NAPOLETANO DEL XVII SECOLO ARTISTA NAPOLETANO DEL XVIII SECOLO ARTISTA NEOCLASSICO ARTISTA NORDEUROPEO DEL XIX SECOLO ARTISTA NORDEUROPEO DEL XVII SECOLO ARTISTA NORDICO DEL XIX SECOLO ARTISTA NORDICO DEL XVII SECOLO ARTISTA ROMANO DEL XVII SECOLO ARTISTA ROMANO DEL XVIII SECOLO ARTISTA RUBENSIANO DEL XVII SECOLO ARTISTA RUSSO DEL XIX SECOLO ARTISTA STRANIERO OPERANTE A ROMA NEL XVII SECOLO ARTISTA TEDESCO DEL XVII SECOLO ARTISTA TOSCANO DEL XVII SECOLO ARTISTA VENETO ATTIVO FRA XVI E XVII SECOLO ARTISTA VENETO ATTIVO FRA XVIII E XIX SECOLO ARTISTA VENETO DEL XVI SECOLO ARTISTA VENETO DEL XVII SECOLO ARTISTA VENETO DEL XVIII SECOLO ARTISTA VENEZIANO DEL XVIII SECOLO ARTURO VERTUNNI (1860 - 1910) ASCANIO LUCIANI (1621 - 1706) BARTOLOMEO BISCAINO (1629 - 1657) BORIS GEORGIEV (1888 - 1962) BUKARA CAMILLO MERLO (1856 - 1931) CARLO BOSSOLI (1815 - 1884) CARLO BRANCACCIO (1861 - 1920) CARLO FRANCESCO NUVOLONE (1608 - 1661) CARTIER CESARE CIANI (1854 - 1921) CESARE GHEDUZZI (1894 - 1944) CHARLES HENRY (XX SECOLO) MOLINS CIANAKKALE DANIEL VAN HEIL (1604 - 1662) DOMENICO DE BERNARDI (1892 - 1963) DOMENICO PELLEGRINI (1759 - 1840) DOSHEMEALTI EDOARDO TOGNI (1884 - 1962) ELISABETTA (XVII-XVIII SECOLO) MARCHIONNI EMILE GALLE' (1846 - 1904) EMILIO RIZZI (1881 - 1952) ENRICO ALBRICI (1714 - 1773) FABERGE' FABIO FABBI (1861 - 1946) FAUSTINI MODESTO (1839 - 1891) FELICE BOSCARATTI (1721 - 1807) FILADELFO SIMI (1849 - 1923) FILIPPO CIFARIELLO (1864 - 1936) FILIPPO COMERIO (1747 - 1827) FRANCESCO ZUCCARELLI (1702 - 1788) FRANCESCO CALDEI detto FRANCESCO MANTOVANO (1630 - 1663) FRANCESCO DOMENEGHINI (1860 - 1950) FRANCESCO FILIPPINI (1853 - 1895) FRANCESCO PAGLIA (1635 - 1714) FRANCESCO ZUGNO (1709 - 1787) FRANCIA, PERIODO LUIGI XV FRANS MOORMANS (1832 - 1884) GALLE' GASPARE VANVITELLI (1653 - 1736) GHENDJE GIACINTO BRANDI (1621 - 1691) GIACOMO FAVRETTO (1849 - 1887) GIACOMO GROSSO (1860 - 1938) GIACOMO GUARDI (1764 - 1835) GIANNI VAGNETTI (1897 - 1956) GIORGIO GIACOBONI (1716 - 1777) GIORGIO OPRANDI (1883 - 1962) GIOVANNI BATTISTA PIRANESI (1720 - 1778) GIOVANNI BATTISTA SALVI DETTO IL SASSOFERRATO (1609 - 1685) GIOVANNI CRIVELLI DETTO IL CRIVELLINO (1690 - 1750) GIOVANNI ENRICO VAJMER (1665 - 1738) GIOVANNI GHISOLFI (1623 - 1683) GIOVANNI SALVIATI (1881 - 1951) GIROLAMO DI BENVENUTO (1470 - 1524) GIUSEPPE BERNARDINO BISON (1762 - 1844) GIUSEPPE BERTINI (1825 - 1898) GIUSEPPE BONITO (1707 - 1789) GIUSEPPE CADES (1750 - 1799) GIUSEPPE CANELLA (1788 - 1847) GIUSEPPE MOLTENI (1800-1867) GIUSEPPE RENDA (1859 - 1939) GIUSEPPE SABATELLI (1813 - 1843) GIUSEPPE ZAIS (1709 - 1784) GUGLIELMO CIARDI (1842 - 1917) HENRY GUNTHER SCHLEVOG (1904 - 1984) HERMANN CORRODI (1844 - 1905) ICONA DEL XIX SECOLO ICONA RUSSA DEL XIX SECOLO JAN BOTH (1615 - 1652) JAN MIEL (1599 - 1663) JEAN BAPTISTE PILLEMENT (1728 - 1808) JOHANNES LINGELBACH (1622 - 1674) KARABAGH KARL PAVLOVIC BRJULLOV (1799 - 1852) KASHAN KAZAK KAZAK SEWAND KULA LALIQUE (1860 - 1945) LE VERRE FRANCAIS LEANDRO BASSANO (1557 - 1622) LEONARDO RODA (1868 - 1933) LIEGI ULVI (1859 - 1939) LODOVICO RAYMOND (1825 - 1898) MAESTRO SENESE DEL XV SECOLO MALAYER MANIFATTURA DEL XIX SECOLO MANIFATTURA DEL XVII SECOLO MANIFATTURA DEL XVIII SECOLO MANIFATTURA FRANCESE DEL XIX SECOLO MANIFATTURA INGLESE DEL XIX SECOLO MANIFATTURA INGLESE DEL XVIII SECOLO MANIFATTURA ITALIANA MANIFATTURA ITALIANA DEL XIX SECOLO MANIFATTURA ITALIANA DEL XV SECOLO MANIFATTURA ITALIANA DEL XVI SECOLO MANIFATTURA ITALIANA DEL XVII SECOLO MANIFATTURA ITALIANA DEL XVIII SECOLO MANIFATTURA LOMBARDA DEL XVIII SECOLO MANIFATTURA LOMBARDO-VENETA DEL XVII SECOLO MANIFATTURA RUSSA DEL XIX SECOLO MANIFATTURA SAVONESE DEL XIX SECOLO MANIFATTURA SPAGNOLA DEL XVII SECOLO MANIFATTURA TEDESCA DEL XVIII SECOLO MANIFATTURA VENETA DEL XVII SECOLO MANIFATTURA VENETA DEL XVIII SECOLO MANIFATTURA VENEZIANA MANIFATTURA VENEZIANA DEL XVII SECOLO MANIFATTURA VENEZIANA DEL XVIII SECOLO MARCO MARCOLA (1740 - 1793) MARGHERITA CRASTONA (XVII-XVIII) MARIO PUCCINI (1869 - 1920) MILLO BORTOLUZZI (1868 - 1933) MOSE' BIANCHI (1840 - 1904) NAPOLEONE NANI (1841 - 1899) PETER DE WINT (1784 - 1849) PIERO GALANTI (1885 - 1973) PIERO MARUSSIG (1879 - 1937) PIETER CASTEELS III (1684 - 1749) PIETRO DELLA VECCHIA (1603 - 1678) PITTORE DEL XIX SECOLO PITTORE DEL XVII SECOLO PITTORE EMILIANO DEL XVIII SECOLO PITTORE ORIENTALISTA DEL XIX SECOLO PITTORE VENETO DEL XVIII SECOLO RAFFAELLO SORBI (1844 - 1931) ROBERTO VENTURI (1846 - 1863) RODOLFO PAOLETTI (1866 - 1940) ROSA BONHEUR (1822 - 1899) SALVATORE LUIGI GENTILE (n. 1770) SCULTORE DEL XVI SECOLO SCULTORE DEL XVIII SECOLO SCULTORE DELL'ITALIA CENTRALE, XVII SECOLO SCULTORE FRANCESE DEL XIX SECOLO SCULTORE ITALIANO DEL XVI SECOLO SCULTORE ITALIANO DEL XX SECOLO SCULTORE ROMANICO ATTIVO IN ITALIA DEL NORD FRA XIII E XIV SECOLO SCULTORE VENETO DEL XV SECOLO SCULTORE VENETO DEL XVIII SECOLO SCUOLA DI FONTAINBLEAU (XVI-XVII SECOLO) SCUOLA VENETA DEL XVIII SECOLO SENNE' SHIRWAN SINIBALDO SCORZA (1589 - 1631) STEFANO BRUZZI (1835 - 1911) TAPPETO PERSIANO TASHPINAR TEOFILO PATINI (1840 - 1906) TIFFANY STUDIOS TITO PELLICCIOTTI (1871 - 1950) TORQUATO DALLARI (1870 - 1953) VERLIS VINCENZO GEMITO (1852 - 1929) VITTORIO PETRELLA (1890 - 1951) VITTORIO ZECCHIN (1878 - 1947)