The painter Cesare Andreoni approached the Milanese Futurist environment around the mid-1920s by joining the group headed by Filippo Tommaso Marinetti. In 1929 he presented his production of "creations applied to furniture and fashion" in an exhibition in Bolzano. Read the full biography
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The painter Cesare Andreoni approached the Milanese Futurist environment around the mid-1920s by joining the group headed by Filippo Tommaso Marinetti. In 1929 he presented his production of "creations applied to furniture and fashion" in an exhibition in Bolzano. In 1930 he participated for the first time in the Venice Biennale and the following year he was present at the Futurist Exhibition of Aeropainting and Scenography at the Pesaro Gallery from Milan. In 1932 he participated in the exhibition "Enrico Prampolini and les aeropeintres futuristes italiennes" and was again at the Venice Biennale. In 1933 he exhibited some works at the Pesaro Gallery in Milan as part of the Futurist Exhibition in honor of Umberto Boccioni, some of his works were presented at the Exposition des Futuriste Italiennes in Paris and he participated in the Milan Triennale. In that same year he approached the art of ceramics and prepares, together with Renato Righetti, the cartoons, based on Fillia's design, for the creation, by the "Ceramica Ligure" factories of Ponzano Magra, of some ceramic mosaics intended for the Post Office building in La Spezia. In 1934 he was present at the Mural Plastic Exhibition in Genoa with a futurist style sketch entitled "Swimmers" to be created in a mosaic of ceramic tiles and intended for a swimming pool and exhibited again at the Venice Art Biennale. In 1935 he was called to participate in the Rome Quadrennial. In '36 and '38 he returned to Venice and in 1939 he participated for the second time in the Quadrennial in Rome. In 1940 he participated in the Milan Triennale. In 1941 he held a solo exhibition, presented by Marinetti, to the Famiglia Artistica. Having left for the front, he was taken prisoner in Russia and at the end of the war, returning to Italy physically marked by imprisonment, he continued his artistic production until 1961, the year of his death.