Gino Moro Artwork valuations, appraisals and auction estimates

Milan, 1901 - 1977. A pupil of Ambrogio Alciati at the Brera Academy, he established himself in 1926 with an exhibition organized in Milan by the Meneghina family. Read the full biography

Milan, 1901 - 1977. A pupil of Ambrogio Alciati at the Brera Academy, he established himself in 1926 with an exhibition organized in Milan by the Meneghina family. He later participated in the Exhibition of Milanese Artists with the painting Church of San Sigismondo and in 1928 he received the Sallustio Fornara prize at the Spring Social Exhibition of the Permanente with the painting Still Life, now preserved in the Galleria d'Ate Moderna in Milan. Since 1930 he has participated in the Roman Quadrennials, Trade Union Exhibitions and other important national exhibitions, achieving public success and official recognition. At the Venice Biennale in 1930 he was present with the works Woman mirroring herself - Study of the nude and Models at rest. From the beginning of his activity he dedicated himself to landscape, still life and the female nude, often also treated graphically, technically in which he achieved particularly appreciable results which earned him the professorship at the Scuola Libera del Nudo at the Brera Academy. In the Sixties and Seventies he approached non-figurative outcomes, touching on the poetics of the informal in a series of landscapes and views (Roofs in Milan, 1965; Marina Ligure, 1970) in which the emotional approach to the naturalistic subject which also characterizes also previous works.