60/60. Total edition: 60 copies. The portfolio is composed of 8 photolitography. Vanni Scheiwiller editions, Milan, 1962. Edition, signature and year lower in pencil. At the back progressive number in the upper right corner in pencil.
The tables are made up as follows:
- 1. Un'impronta digitale del pollice destro, 1960;
- 2. Un'impronta digitale del pollice sinistro, 1960;
- 3. Dieci impronte digitali delle dita, 1960;
- 4. Una linea, 1959;
- 5. Alfabeto color nero,1958;
- 6. Alfabeto color rosso, 1958;
- 7. Carta geografica dell'Irlanda, 1958;
- 8. Carta geografica dell'Islanda, 1958.
Exhibitions: 1969, Keuze uit de aanwinsten 1965-1968 van het Stedelijk Van Abbemuseum Eindhoven, Stedelijk Van Abbemuseum, Eindhoven (another copy); 1970, Piero Manzoni, Kunstverein Hannover, Hannover (another copy); 1970, Piero Manzoni, Stedelijk Museum, Amsterdam (another copy);
19 September - 12 October 1971, Homage to Piero Manzoni, Museo di Crema, Crema (another copy); 28 October -28 November 1971, Piero Manzoni, Civic Gallery of Modern Art, Palazzo dei Diamanti, Ferrara, n. 76-83 (another specimen); 1971, Piero Manzoni, National Gallery of Modern Art, Rome (another copy);
1972, Piero Manzoni, Sonnabend Gallery, New York (another copy); 1973, Piero Manzoni 1933-1963, Staedtische Galerie im Lenbachhaus, Munich (another copy); 1974, Piero Manzoni. Paintings, Reliefs & Objects, The Tate Gallery, London (another example); 1975, 50 years of graphics in Italy, Cultural Institute, Tokyo (another example); 1981, Fontana, Manzoni, Pascali, Galleria Martano, Turin (another example );1987, Piero Manzoni. Soncino (another specimen); 1933-1963 Milan, Galerie des Beaux-Arts, Brussels (another example); 1988, Piero Manzoni. Philosophy of infinite space, Contemporary Art Gallery, Tokyo (another example); 1989, Piero Manzoni Karsten Schubert LTD, London (another copy); 1989-1990, L'art conceptuel, une perspective, Musée d' Art Moderne de la Ville de Paris, ARC, Paris (another copy);
1990, La otra escultura: treinta anos de escultura italiana, Centro de arte Reina Sofia, Palacio Cristal, Madrid (another example); 1990, Piero Manzoni, Hirschl & Adler Modern, New York (another example); 1991, Piero Manzoni, Musée d'Art Moderne de la Ville de Paris, Paris (another example); 1991, Piero Manzoni, Sala de Exposiciones de la Fundacion la Caixa, Madrid (another copy); Piero Manzoni, Castello di Rivoli - Museum of Contemporary Art, Turin (another specimen); 1992, The game of thought, Castello di Rivara, Rivara (another copy); The papers of Piero Manzoni, Rocca Sforzesca, Soncino (Cremona) (another copy);
1997, Milan 1950-1959. The renewal of painting in Italy, Palazzo dei Diamanti, Ferrara (another example); 1998, Piero Manzoni, Serpentine Gallery, London (another copy); 1999, Global Conceptualism: Points of Origin, 1950s - 1980's, Quens Museum of Art, New York (another copy).
Publication: G. Celant, Piero Manzoni. General catalogue, Prearo Editore, Milan, 1975, pp. 166-171, 265 (another copy); G. Celant, Piero Manzoni. General Catalog Vol. II, Skira, Milan, 2004, p. 542, no. 1010 (another copy); F. Battino, P. Manzoni, L. Palazzoli, Piero Manzoni. Catalog raisonné, Edizioni Vanni Scheiwiller, Milan, 1991, pp. 461-464, no. 1049 (another copy). Provenance: Lana Collection, Milan. Original folder present. Th artwork archived at the Piero Manzoni Foundation, Milan. Thanks to Piero Manzoni Foundation, Milan, to confirming the authenticity of the artwork.